Ramsay Midwood at Music4Moore
On , a tornado touched ground near Oklahoma City. The mile-wide twister would eventually travel 20 miles over a period of roughly 40 minutes, becoming an EF5 tornado and leaving death and destruction in its wake as it devastated the suburb of Moore. The final death toll stood at 24. Hundreds more were injured or left homeless.
Within a day or so of the storm’s passing, music promoter Steven White and local businessman Jonathan Fowler were organizing Music4Moore, a benefit concert for the tornado’s victims. Scores of local and regional musicians donated their time, along with local businesses and vendors and dozens of volunteer workers, with all proceeds going to the Red Cross of Central and Western Oklahoma.
The organizers set up 3 stages: 2 stages for ticketholders at the Bricktown Events Center, and an outdoor stage, free and open to the public. The outdoor stage later moved to the Wormy Dog Saloon due to inclement weather. The Queen of Rock ’n’ Roll, Wanda Jackson , headlined along with Broken Arrow native and critically acclaimed rhythm and blues revivalist JD McPherson . Also appearing were:
Texas singer-songwriter Ramsay Midwood traveled from Austin with his band to perform on the west stage, entertaining the audience with his rootsy Southern Gothic songs. Accompanying him were guitarist Bill Mullins, bassist Jeff Johnston, drummer Scott Mason and special guest and Norman musician Daniel Foulks (IIIrd Generation Bluegrass Band, Samantha Crain) on fiddle.
When I bumped into Music4Moore organizer Steven White at the Gourds’ Summer Breeze Concert Series performance in Lions Park last week, he asked if I’d published the pictures from Ramsay‘s set anywhere. I had to admit I hadn’t processed any photos from the benefit — I shot over 750 pictures that night — but that I’d let him know as soon as they were ready. So, even ’though I’d planned to deal with images of the headliners 1st, I changed my mind and worked on these instead. This is for you, Steven.
M-mount lenses do not provide aperture information to the camera body, either electronically or mechanically. Therefore, f-stop settings are approximate, and are probably wildly inaccurate. For what it’s worth, I usually shoot with my lenses wide open.